I'm a PhD candidate at The Ohio State University with training in post-war American fiction and theory of all kinds (e.g. narrative, poetic, critical). My dissertation, The Voices of David Foster Wallace: Comic, Encyclopedic, and Sincere, tracks the variation in narrative voice through three periods of Wallace's career, revising theoretical models of narrative voice while also identifying Wallace's rhetorical purposes and stylistic sources for each of his novels.
My research interests include narrative theory, poetics, stylistics, aesthetics, and temporality, as well as 20C philosophy and phenomenology, especially as they pertain to the experience of reading. As a synthesis of those fields, I am working on theorizing rhythm. More generally, I like to think at the intersection of phenomenology, aesthetics, rhetoric, reading, and literary form, but I'm also very interested in composition and manuscript genetics. I've written mostly about Wallace's work, but I've also worked on projects involving Philip K. Dick, Lyn Hejinian, Walter Benjamin, Jacques Derrida, Paul Ricoeur. Besides my reading and writing, I have worked as the Administrative Assistant to the International James Joyce Foundation and am affiliated with Project Narrative.